Progress in color night vision

We present an overview of our recent progress and the current state-of-the-art techniques of color image fusion for night vision applications. Inspired by previously developed color opponent fusing schemes, we initially developed a simple pixel-based false color-mapping scheme that yielded fused false color images with large color contrast and...

Colour-the-INSight: Combining a direct view rifle sight with fused intensified and thermal imagery

We present the design and evaluation of a new demonstrator rifle sight viewing system containing direct view, red aim point and fusion of an (uncooled, LWIR) thermal sensor with a digital image intensifier. Our goal is to create a system that performs well under a wide variety of (weather) conditions during daytime and nighttime and combines the...

Augmenting full colour-fused multi-band night vision imagery with synthetic imagery in real-time

We present the design and first field trial results of an all-day all-weather enhanced and synthetic-fused multi-band colour night vision surveillance and observation system. The system augments a fused and dynamic three-band natural-colour night vision image with synthetic 3D imagery in real-time. The night vision sensor suite consists of three...

Presenting nighttime imagery in daytime colours

We present a fast and efficient method to derive and apply natural colours to nighttime imagery from multiband sensors. The colour mapping is derived from the combination of a multiband image and a corresponding daytime colour reference. The mapping optimizes the match between the multiband image and the reference, and yields a nightvision image...

Fast and true-to-life application of daytime colours to night-time imagery

We developed a fast and efficient method to derive and apply a natural colour mapping for night-time imagery from multi-band sensors. The colour mapping is derived from the combination of a multi-band image and a corresponding natural colour reference image. The mapping optimizes the match between the multi-band image and the reference image,...

Colorizing single band intensified nightvision images

We present a method to give single band intensified nightvision imagery a natural day-time color appearance. For input, the method requires a true color RGB source image and a grayscale nightvision target image. The source and target image are both transformed into a perceptually decorrelated color space. In this color space a best matching...

Colorizing grayscale intensified nightvision images

We present a method to give single band intensified nightvision imagery a natural day-time color appearance. For input, the method requires a true color RGB source image and a grayscale nightvision target image. The source and target image are both transformed into a perceptually decorrelated color space. In this color space a best matching...

Transferring color to single band intensified nightvision images

We present a method to give single band intensified nightvision imagery a natural day-time color appearance. For input, the method requires a true color RGB source image and a grayscale nightvision target image. The source and target image are both transformed into a perceptually decorrelated color space. In this color space a best matching...

Applying daytime colors to multiband nightvision imagery

We present a method to give (fused) multiband night-time imagery a natural day-time color appearance. For input, the method requires a false color RGB image that is produced by mapping 3 individual bands (or the first 3 principal components) of a multiband nightvision system to the respective channels of an RGB image. The false color RGB...

Natural colour mapping for multiband nightvision imagery

We present a method to give (fused) multiband night-time imagery a natural day-time colour appearance. For input, the method requires a false colour RGB image that is produced by mapping three individual bands (or the .rst three principal components) of a multiband nightvision system to the respective channels of an RGB image. The false colour...

Color the night: applying daytime colors to nighttime imagery

We present a method to give (fused) multiband night-time imagery a natural day-time color appearance. For input, the method requires a false color RGB image that is produced by mapping 3 individual bands (or the first 3 principal components) of a multiband nightvision system to the respective channels of an RGB image. The false color RGB...